-
January 2022.
Rocca &
Vegetti 1977, p. 28.
Camesasca 1962, p. 17.
Rocca &
Vegetti 1977, p. 222.
Camesasca 1962, p. 22.
Rocca &
Vegetti 1977, p. 223. "Finanziamenti...
- Escola.
Archived from the
original on 11 May 2009.
Retrieved 10 June 2009.
Camesasca, 1956. "MASP vai
virar patrimônio
cultural nacional".
Globo Vídeos – Jornal...
- the
Amber Eyes -
Edmund de Waal p. 83.
Camesasca, 1979, pp. 82. Julian, 1962, pp. 22. Bardi,
Pietro M. &
Camesasca, Ettore.
Museu de Arte de São
Paulo ****is...
- reasoning.
According to a
hypothesis first elaborated by
Goffen and
later by
Camesasca, this is a
variant of the
Byzantine symbology,
which originally pertained...
- Archive. Also
available via
Oxford Art
Online (subscription needed).
Camesasca 1971, p. 83. Germain, Jean; Herbillon,
Jules (2007).
Dictionnaire des...
- the
predella is now on show
under the main panels. (in Italian)
Ettore Camesasca, Mantegna, in AA.VV.,
Pittori del Rinascimento, Scala,
Firenze 2007. ISBN 888117099X...
-
paintings by
Hieronymus Bosch Varallo,
Franca N (2004). Bosch. Milan: Skira.
Camesasca, 1987, pp. 50–63. Friedländer, 1937, pp. 99–100 De Tolnay, 1937. HITNER...
- The
Piano Works of
Claude Debussy, Toronto: Dover, p. 94, LCCN 66-20423
Camesasca, Ettore, ed. (1971). The
Complete Paintings of Watteau.
classics of the...
- This has led some art historians, such as
Roberto Longhi and
Ettore Camesasca, to
categorize the
piece as one of Mantegna's
later works,
while others...
- dell'Accademia, Giunti,
Firenze 1999. ISBN 8809048806 "Article" (in Italian). (in Italian)
Ettore Camesasca,
Michelangelo pittore, Rizzoli,
Milano 1966....
