-
Cabaletta is a two-part
musical form
particularly favored for
arias in 19th
century Italian opera in the bel
canto era
until about the 1860s
during which...
-
followed by a
cabaletta. The
cantabile movement would be
slower and more free-form to
contrast with the
structured and
generally faster cabaletta.
Louis Spohr...
- in
Italian opera was the
cabaletta, in
which a
songlike cantabile section is
followed by a more
animated section, the
cabaletta proper,
repeated in whole...
- the
Miserere as well as
retaining "Tacea la Notte" in act 1 with its
cabaletta.
Changes were also made to Azucena's "Stride la vampa" and to the Count's...
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tempo di
mezzo which might involve chorus or
other characters, and a
cabaletta, an
opportunity for
bravura singing for the soloist. The duet was similarly...
-
Norma and the
druids with a
superior power and
overthrow their altars: (
Cabaletta: "Me protegge, me difende" / "I am
protected and defended") "Casta Diva"...
- same
quintuplet set as
Charlotte Counter,
Charlotte Cadenza,
Charlotte Cabaletta, and
Charlotte Gala and the
oldest of the group.
Charlotte Opera is voiced...
- pira" ("Of that pyre") is a
short tenor aria (or more specifically, a
cabaletta) sung by
Manrico in act 3,
scene 2, of
Giuseppe Verdi's
opera Il trovatore...
- "Se
uniti negli affanni noi
fummo un
tempo insieme" etc. part of the
cabaletta to the aria "Ah, come mai non senti", sung by
Rodrigo in the
second act...
-
introduction ("cantabile") and a more intensive, brilliant,
conclusion ("
cabaletta"). This
model could be
adapted in
various ways so as to
forward the plot...
