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Cabaletta is a two-part
musical form
particularly favored for
arias in 19th
century Italian opera in the bel
canto era
until about the 1860s
during which...
-
followed by a
cabaletta. The
cantabile movement would be
slower and more free-form to
contrast with the
structured and
generally faster cabaletta.
Louis Spohr...
- in
Italian opera was the
cabaletta, in
which a
songlike cantabile section is
followed by a more
animated section, the
cabaletta proper,
repeated in whole...
- "War! War", the men proclaim.
Romeo accepts their challenge of war: (
Cabaletta: La
tremenda ultrice spada/ "Romeo will
prepare to
brandish the dread...
-
Norma and the
druids with a
superior power and
overthrow their altars: (
Cabaletta: "Me protegge, me difende" / "I am
protected and defended") "Casta Diva"...
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tempo di
mezzo which might involve chorus or
other characters, and a
cabaletta, an
opportunity for
bravura singing for the soloist. The duet was similarly...
- the
Miserere as well as
retaining "Tacea la Notte" in act 1 with its
cabaletta.
Changes were also made to Azucena's "Stride la vampa" and to the Count's...
- same
quintuplet set as
Charlotte Counter,
Charlotte Cadenza,
Charlotte Cabaletta, and
Charlotte Gala and the
oldest of the group.
Charlotte Opera is voiced...
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Ukraine Opera in
Venezuela Opera components Aria Aria di
sorbetto Arioso Cabaletta Cantabile Catalogue aria Da capo aria
Insertion aria Rage aria Ballet...
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introduction ("cantabile") and a more intensive, brilliant,
conclusion ("
cabaletta"). This
model could be
adapted in
various ways so as to
forward the plot...
