- An
Avarohana,
Avarohanam or Avaroha, in the
context of
Indian classical music, is the
descending scale of any raga. The
notes descend in
pitch from the...
- in
Carnatic music classification –
audava meaning 'of 5'). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale) is as
follows (see
swaras in...
-
whereas Shubhapanthuvarali uses the
panchamam in both the
arohana and
avarohana. The
Carnatic Melakarta Hanumatodi is the
equivalent of
Bhairavi thaat...
-
Indian classical music). It is an
audava rāgam (5
notes in
arohana and
avarohana) as it does not have all the
seven swaras (musical notes).
Hindolam is...
- r S.
Madhyam is an
important note. Arohana : Sa Re Ga Ma Pa Dha Ni Ṡa
Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi : Ma/Pa Samavadi : sa The rich culture...
- Abhiri, or
perhaps a
mixture of
Bhairav and Kafi. Arohana: S Ṟ G M P D Ṉ Ṡ
Avarohana: Ṡ Ṉ D P M G Ṟ S Key: S, G, M, P, D:
shuddha (natural); r, n :
komal (flat);...
- Shadava-Sampoorna (Zig-zag raga with six
notes in
Arohana and
seven in
Avarohana). It is a
Rakthi Ragam with
unique and
melodious Sancharams and Prayogams...
- (i.e., a
ragam that has five
notes in both its
arohana and
avarohana). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale)
using swaras in...
- ārohaṇa-
avarohaṇa structure is as
follows (see
swaras in
Carnatic music for
details on the
notations used): ārohaṇa : S R₂ G₂ M₁ P D₁ N₂ Ṡ
avarohaṇa : Ṡ N₂ D₁ P M₁ G₂ R₂ S...
-
Madhyama is only used with
Panchama in the
phrase PA MA' GA MA GA. In
Avarohana,
Rishabh and
Dhaivat are not used as
resting notes, but they are used...
