- An
Avarohana,
Avarohanam or Avaroha, in the
context of
Indian classical music, is the
descending scale of any raga. The
notes descend in
pitch from the...
- r S.
Madhyam is an
important note. Arohana : Sa Re Ga Ma Pa Dha Ni Ṡa
Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi : Ma/Pa Samavadi : sa The rich culture...
- in
Carnatic music classification –
audava meaning 'of 5'). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale) is as
follows (see
swaras in...
- D N S'
Avarohana: S'N D Ṉ D P M G R S Pakad: G R G P M G M R G P M G M R S Vadi:
Dhaivat Samavadi:
Gandhar Komal Swar: N (Vakra) in
Avarohana Varjit Swar:...
- (170 BPM Drut); po****rised by
Parveen Sultana Arohana: S Ṟ G M P D Ṉ Ṡ
Avarohana: Ṡ Ṉ D P M G Ṟ S Key: S, G, M, P, D:
shuddha (natural); r, n :
komal (flat);...
- (i.e., a
ragam that has five
notes in both its
arohana and
avarohana). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale)
using swaras in...
- raag and is sung as
invitation to rains. Arohana: S R P m P n (d) N S
Avarohana: S' n P m R g~ m R S In this raga vadi is Sa and
samavadi is P 'n 'P R...
- its
arohana (ascent) six
notes are used (D is excluded),
whereas the
avarohana (descent) uses All
seven notes. All the
swaras used in this raga are shuddha...
-
whereas Shubhapanthuvarali uses the
panchamam in both the
arohana and
avarohana. The
Carnatic Melakarta Hanumatodi is the
equivalent of
Bhairavi thaat...
- in
Carnatic music classification –
audava meaning 'of 5'). Its ārohaṇa-
avarohaṇa structure (ascending and
descending scale) is as
follows (see
swaras in...
