- An Avarohana,
Avarohanam or
Avaroha, in the
context of
Indian classical music, is the
descending scale of any raga. The
notes descend in
pitch from the...
-
Aaroh आरोह (where the
notes are
simply recited on an
ascending scale) and
Avaroha (where the
notes are
simply recited on a
descending order) Thereafter,...
- It is from the
Khamaj thaat. It is
pentatonic in aaroha,
hexatonic in
avaroha. SRA on
Samay and
Ragas SRA on
Ragas and
Thaats Rajan Parrikar on Ragas...
-
Brindaavani Sarang or
Brindaabani Sarang, also
known as raga Sarang, is a
Hindustani classical raga. It is also
called Vridaavani Sarang. This raga falls...
-
Bilaval or
Bilawal (IAST: Bilāval) is a raga and the
basis for the
eponymous thaat (musical mode) in
Hindustani classical music. Raga
Bilaval is named...
-
Aroha goes like N,RGmDNS',
where the
fifth note is omitted; Pa but the
Avaroha is the same
complete octave). All the
scale notes (called swaras) in the...
-
Miyan ki Todi,
often simply referred to as Todi or
Darbari Todi (IAST: Toḍi), is a
Hindustani classical raga
which gave its name to the Todi thaat, one...
-
Marva or
Marwa (IAST: Mārvā)
portrays being with one's
lover and is
often portra**** in
Ragamala paintings as two
couples kissing. It is a
hexatonic Indian...
-
explains the
Carnatic Kalavati as
omitting Ga and Ni in
aroha and Ni in
Avaroha,
using komal Re. That
would make it
closer to raga Jansamohini. In Carnatic...
- (third) octave, '
indicates lower (first)
octave Aroha: N' S g m P N S'
Avaroha: S" N D P, m P g, m g R S The raag has
Komal Ga. It is an Audava-Sampoorna...
