- An Avarohana,
Avarohanam or
Avaroha, in the
context of
Indian classical music, is the
descending scale of any raga. The
notes descend in
pitch from the...
-
Aaroh आरोह (where the
notes are
simply recited on an
ascending scale) and
Avaroha (where the
notes are
simply recited on a
descending order) Thereafter,...
-
Bilaval or
Bilawal (IAST: Bilāval) is a raga and the
basis for the
eponymous thaat (musical mode) in
Hindustani classical music. Raga
Bilaval is named...
-
Brindaavani Sarang or
Brindaabani Sarang, also
known as raga Sarang, is a
Hindustani classical raga. It is also
called Vridaavani Sarang. This raga falls...
- Raag
Marwa or
Marva is an
Indian raag
belonging to
Hindustani classical music. This is a
masculine raaga and
conveys an
emotion of
longing or separation...
-
Miyan ki Todi,
often simply referred to as Todi or
Darbari Todi (IAST: Toḍi), is a
Hindustani classical raga
which gave its name to the Todi thaat, one...
- (third) octave, '
indicates lower (first)
octave note Aroha: N' S g m P N S'
Avaroha: S" N P, m P g, m g S The raag
Madhuranjani has
swara Komal Ga. It is an...
-
explains the
Carnatic Kalavati as
omitting Ga and Ni in
aroha and Ni in
Avaroha,
using komal Re. That
would make it
closer to raga Jansamohini. In Carnatic...
-
Purvi or
Poorvi (IAST: Pūrvī) is a raga in
Hindustani classical music that
exemplifies its own thaat, the
Poorvi thaat.
Purvi has a
deeply serious, quiet...
- (third) octave, '
indicates lower (first)
octave Aroha: N' S g m P N S'
Avaroha: S" N D P, m P g, m g R S The raag has
Komal Ga. It is an Audava-Sampoorna...
