- The
monitoring was a
combination of Westlake, Hidley, Altec, UREI and
Auratone.
Microphones were Neumann, AKG, Sennheiser, Sony, Norelco, Shure, and Electrovoice...
-
could conduct business over the phone. The mix was done
almost entirely on
Auratone monitors.[citation needed]
During recording for the album, The Plasmatics...
-
Dance (David Bowie), to Big Bam Boom (Hall and Oates). The NS-10, and the
Auratone before it, are two of the most
influential nearfield monitors used in the...
- pedal.
Other equipment included a
Simmons ClapTrap percussion synthesizer,
Auratone 5C speakers, JVC amplifier, TEAC c****ette deck, Seck 6-2
audio mixer, Casio...
- recorded, and
mixed entirely by
Brown on an iMac
computer using only
Auratone speakers and a
Sennheiser MD 441U microphone. 1998 – Get
Funky with Me:...
-
variety of near-field
monitor speakers are used
including Yamaha NS-10s and
Auratones depending on who
happens to be
working at the studio. The
acoustic design...
- the
sound was when Z
pumped the
processed and
blended sample through an
Auratone speaker set
upside down atop
another snare drum,
which rattled the metal...
- Of Flying" – 6:05
Deepsky – "Cosmic
Dancer (Heads Of
State Mix)" – 5:53
Auratone – "Falling (System 22's
Dizzy Mix)" – 4:42
Sandra Collins – "Ode To Our"...
-
additional vocal harmonies through three Neumann U49 microphones.
Small auratone 5C
monitor speakers were also
placed in the room for
sound reference. The...
- home systems. A
favourite "grot-box"
monitor emplo**** in this way was the
Auratone 5C, a
crude single-driver
device that gave a
reasonable facsimile of typical...
