-
Arricam is a 35 mm
movie camera line
manufactured by Arri. It is Arri's
flagship sync-sound
camera line,
replacing the
Arriflex 535 line. The
design was...
- shot on
Kodak 35 mm film
framed in 4-perf
widescreen anamorphic using an
Arricam LT, with
color correction completed via
DaVinci Resolve at FotoKem.: 45–46 ...
-
architecture without using distorting wide-angle lenses.
Crawley also used
Arricam ST, LT and
Arriflex 235 35-millimetre
cameras equipped with
Cooke lenses...
-
Slave on 35 mm film with a 2.35:1
widescreen aspect ratio using both an
Arricam LT and ST. "Particularly for a
period piece, film
gives the
audience a...
- happening.” The film was shot
using Kodak Vision3 5219 35mm film on a
single Arricam using a
traditional dolly. It was
edited with
Adobe Premiere Pro. His Three...
-
testing in 1998. In 2000, Arri
purchased the
company Moviecam and
developed Arricam, a 35mm
camera platform. In 2003, Arri
developed its
first digital camera...
- like much
younger men. The
picture was
primarily shot on 35 mm film with
Arricam STs and LTs, and with RED
Heliums for
sections shot on digital, with two...
- stock.
Scenes where Oscar is
alive were shot in the
super 35
format with
Arricam LT cameras, and the rest in
super 16 with an
Aaton XTR Prod. The cinematographer...
- and
motion control,
among other usage.
Before the
introduction of the
Arricam System, the 535 was one of the most po****r 35 mm sync-sound
movie camera...
- sequences, and
Eastman Double-X 5222 for the black-and-white sequences, on
Arricam Studio and Lite
cameras provided by a
studio in Paris.
Anderson preferred...
