-
Arohana, Arohanam, Aroh or Aroha, in the
context of
Indian classical music, is the
ascending scale of
notes in a raga. The
pitch increases as we go up...
- (audava-audava raga in
Carnatic music classification –
audava meaning 'of 5'). Its
ārohaṇa-avarohaṇa
structure (ascending and
descending scale) is as
follows (see...
- in Todi, the
pancham is
omitted in the
Arohana,
whereas Shubhapanthuvarali uses the
panchamam in both the
arohana and avarohana. The
Carnatic Melakarta...
-
pentatonic ascending scale). Its
ārohaṇa-avarohaṇa
structure (ascending and
descending scale) is as follows:
ārohaṇa : S R₂ G₃ P D₂ Ṡ they are used in...
- from
Khamaj thaat. The raga is of Shadava-Sampoorna nature, i.e., in its
arohana (ascent) six
notes are used (D is excluded),
whereas the
avarohana (descent)...
- Kharaharapriya. It is
Vakra Shadava-Sampoorna (Zig-zag raga with six
notes in
Arohana and
seven in Avarohana). It is a
Rakthi Ragam with
unique and melodious...
- Avroh,
Gandhar is skipped, like: G m r S.
Madhyam is an
important note.
Arohana : Sa Re Ga Ma Pa Dha Ni Ṡa Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi :...
-
scale of
South Indian classical music). It is an
audava rāgam (5
notes in
arohana and avarohana) as it does not have all the
seven swaras (musical notes)...
- Natabhairavi. Its
ārohaṇa-avarohaṇa
structure is as
follows (see
swaras of
Carnatic music for
details on
below notation and terms):
ārohaṇa: S R₂ G₂ M₁ P D₂ N₂ Ṡ...
-
classified as Audava-Sampurna – 5
notes in
ārohaṇa and 7 in the avarohaṇa – Shadava-Sampurna – 6
notes in
ārohaṇa and 7 in the avarohaṇa, as in
Kambhoji raga...
