- into
three qualities, udātta उदात्त "raised" (acute accent, high pitch),
anudātta अनुदात्त "not raised" (unstressed, or low pitch,
grave accent) and svarita...
-
Sanskrit included a three-way
pitch accent system of udātta (raised),
anudātta (not-raised or grave), and
svarita (sounded)
which were high, low and falling...
- 7, 2008.[a]
Vedic chantings use 4
tones – udātta उदात्त (middle tone),
anudātta अनुदात्त (lower tone),
svarita स्वरित (higher tone) and dīrgha svarita...
- levels:
svarita (sounded, cir****flex normal),
udatta (high, raised) and
anudatta (low, not raised). However,
scholars question whether the
singing of hymns...
-
Sanskrit is
written with
various symbols depending on shakha. In the Rigveda,
anudātta is
written with a bar
below the line (◌॒),
svarita with a
stroke above...
- and
Upanishadic hymns and mantras.[citation needed] Udātta: high
pitch Anudātta: low
pitch Svarita:
descending pitch (usually
follows high pitch) Generally...
- (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (svarita) अ॒ (
anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa) ॰ (lāghava cihna)...
-
Vedic hymns were tri-tonic, sung in
three pitches with no octave: Udatta,
Anudatta, and Swarita. In a 1969 study,
Mervyn McLean noted that
tritonic scales...
- intonation, svarita, to the "rising tone" (上聲); the
downward intonation,
anudātta, to the "departing tone" (去聲). The
distinctive sound of
syllables ending...
- (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (svarita) अ॒ (
anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa) ॰ (lāghava cihna)...
