- into
three qualities, udātta उदात्त "raised" (acute accent, high pitch),
anudātta अनुदात्त "not raised" (unstressed, or low pitch,
grave accent) and svarita...
- 7, 2008.[a]
Vedic chantings use 4
tones – udātta उदात्त (middle tone),
anudātta अनुदात्त (lower tone),
svarita स्वरित (higher tone) and dīrgha svarita...
- levels:
svarita (sounded, cir****flex normal),
udatta (high, raised) and
anudatta (low, not raised). However,
scholars question whether the
singing of hymns...
-
Sanskrit is
written with
various symbols depending on shakha. In the Rigveda,
anudātta is
written with a bar
below the line (◌॒),
svarita with a
stroke above...
- (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (svarita) अ॒ (
anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa) ॰ (lāghava cihna)...
- (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (svarita) अ॒ (
anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa) ॰ (lāghava cihna)...
- and
Upanishadic hymns and mantras.[citation needed] Udātta: high
pitch Anudātta: low
pitch Svarita:
descending pitch (usually
follows high pitch) Generally...
-
Vedic hymns were tri-tonic, sung in
three pitches with no octave: Udatta,
Anudatta, and Swarita. In a 1969 study,
Mervyn McLean noted that
tritonic scales...
-
Jihvamuliya and
upadhmaniya are
encoded as "Z" and "V" respectively. Udatta,
anudatta and
svarita are
encoded as "/", "\" and "^" respectively. Harvard-Kyoto...
- (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (svarita) अ॒ (
anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa) ॰ (lāghava cihna)...
