- María
Adela Gard de
Antokoletz (October 11, 1911 – July 23, 2002) was one of
fourteen women who
founded the
Mothers of the
Plaza de Mayo movement. Her...
- Wind of Life, 1996
Impressionist music Antokoletz 1984, 245.
Antokoletz 1984, 263.
Antokoletz 1984, 88.
Antokoletz 1984, 280. Bartók 1935, 414.
Cooper 1996...
- Vincenti,
Berta Braverman, Haydée García Buelas; María
Adela Gard de
Antokoletz, Julia, María
Mercedes and Cándida Gard (four sisters);
Delicia González...
-
resources of
tonal theory are of
limited use.
George Perle (1955) and
Elliott Antokoletz (1984)
focus on his
alternative methods of
signaling tonal centers, via...
- Howat, Roy (2011). "Russian
imprints in Debussy's
piano music". In
Antokoletz, Elliott; Wheeldon,
Marianne (eds.).
Rethinking Debussy. New York: Oxford...
- 2023.
Taruskin 2010.
Jarman 1983, pp. 218–223.
Jarman 1985, p. 228–230.
Antokoletz 2014, p. 55. "Alban Berg". musopen.org (in French).
Archived from the...
- 1997, p. 8.
Gibbs 1995, p. 115.
Gibbs 1997, p. 38.
Gibbs 1997, p. 150.
Antokoletz 2016, p. 140.
Bodley 2003, p. 229.
Machlis &
Forney 2003. Schläbitz 2011...
-
Suchoff 2001, p. 112. Bartók 1939.
Antokoletz 1984, pp. 241–242.
Suchoff 2001, p. 114.
Antokoletz 2000, pp. 61–75.
Antokoletz 1984, p. 248. Kroó 1994, p. 430...
- and the producer.
DECCA Records (liner
notes for Bluebeard's Castle).
Antokoletz, Elliott.
Musical Symbolism in the
Operas of
Debussy and Bartók: Trauma...
- [harmonic series]
justifies everything, that means, nothing."
Elliott Antokoletz says the "so-called 'mystic chord'"
approximates harmonics 7
through 13...
